A 2020 Love Story – Examining a Match Made In Hell
Ryan Reynolds and Taylor Swift join forces to create a new Match ad “Match Made In Hell”, that got over 2 million views on YouTube in the first week it appeared. A unique love story that could have only happened in 2020. The ad stars Satan himself who resembles Tim Curry’s character Darkness in the 1985 movie “Legend” directed by Ridley Scott, and his perfect match he met 11 months ago. A seemingly lovely young woman, 2020.
The ad opens with Satan sitting bored and alone in hell. He gets a Match notification and then we see their love story unfold. It turns out Match was right to put them together; they have a lot in common. They both come from hell, appreciate a good dumpster fire, enjoy pirating movies, and stealing toilet paper amongst other devious activities. The ad ends with the couple sitting, cozy on a park bench agreeing that they don’t want this year to ever end. They gaze off at the Brooklyn Bridge skyline as asteroids destroy the city in the distance.
Love is blind. Love is patient. @maximumeffort @match pic.twitter.com/Ruy4wouFoM
— Ryan Reynolds (@VancityReynolds) December 3, 2020
So, how did the audience feel about this love story? Did this comical advertisement improve the audience’s appeal towards the brand? Using RAPID Subtext, we are able to analyze the subconscious effects of an advertisement and examine the emotional expression conveyed at each moment. In the example below, RAPID Subtext is used to reveal the audience with more appeal versus those with less appeal for the brand and displays the overall valence of all participants using facial action coding.
Although the ad is very funny and produces a rise in positive expressions as the story unfolds, it appears to be at the expense of the brand. The implicit emotional appeal of the brand dropped slightly after viewing the ad. Though the story does produce a positive lift in valence in viewers overall, those who had Less Appeal towards the brand had a negative journey. They got the joke “call me 2020” but did not express positive emotions for most of the love story.
After this year we all could use a good laugh, but the implicit data is telling us that 2020 humor appears to be too soon.
Sentient at NPD: How Sound Impacts The Consumer Payment Experience
Join our talk "Fixing Retail’s Weakest Link: Using Sound to Transform the Consumer Payment Experience". Joe Sauer, SVP, Managing Director, UK & EU at Sentient will present at NPD Food & Drink Conference. Revealing insights into how sound can...
Getting What We Want Out of Our Messaging & How to Have It Done Overnight
Creating a Super Bowl ad is always challenging, but the gamebook for Super Bowl LV ads had many potential fumbles to navigate amid a global pandemic, political unrest, economic peril and the ongoing fight for social justice. The stakes for pulling...
Watch Ad Age Publisher’s Panel With Sentient: How Emotion Played in the Big Game of Advertising
How Emotion Played in the Big Game of Advertising Dr. Aaron Reid Founder & CEO at Sentient talked about why ads scored big with Ad Age President and Publisher Josh Golden. Aaron describes how this first of its kind emotion tech RAPID Subtext is...